王者荣耀之美女如云最新章节_王者荣耀之美女如云小说免费阅读_成宇文学

内蒙古草原，是中国北疆的生态屏障，更是多元文明交融的活态史诗。武章连的《草原赋》犹如一曲跨越时空的东方长歌，以笔为犁，深耕这片土地的自然之美、人文之韵与历史之魂，既书写了中国的草原故事，也珍藏着人类对“共生”与“包容”的共同向往——它是传递中国声音的文化载体，是讲好中国故事的生动注脚，更以“万类共生”“文明互鉴”的内核，呼应着加强国际合作、构建人类命运共同体、共筑和谐世界的时代愿景。

一、《草原赋》原文

草原赋

——武章连

朔漠铺绵，穹庐垂野。地脉自昆仑奔涌，化万里平川；天光随云涛倾泻，绘千载风华。内蒙古之原，非止天地之作，实乃万类共生之家园。东接兴安之翠麓，西挽祁连之瀚沙，南枕长城之龙脊，北通极星之瑶遐。跨寒温之三带，分草甸、典型、荒漠之殊态；汇百川之琼浆，育牛羊之群、驼马之健、鹰雕之桀。历匈奴穹帐，染汉唐霜月，承辽金铁骑，融元清浩歌，至今朝，成宇内心驰之圣境，人间归一之净土。

若夫四时之景，各尽其妙。 春则冰河坼响，冻土苏软，草色遥看，嫩绿含烟。牧人振衣，驱犊归于故陇；鸿雁北征，衔春补于旧椽。野花星布，缀绿毯以成绣；溪流琴鸣，漱白石而声溅。 夏则碧涛接云，暑气尽散，白日驰骏，入夜星河垂野。那达慕盛会，赛马蹄惊雷震岳；搏克健儿，角力势崩云裂石。蒙古包前，铜锅沸乳香；敖包山下，哈达映月华。莫尔格勒河，曲若天飘之玉带；呼伦贝尔甸，羊如云落之珍珠。 秋则草海鎏金，胡杨焚火，长风过隙，叶舞翩跹。额济纳旗，万树披金，幻作梵高画境；锡林郭勒，千骑归牧，剪碎落日熔圆。荞麦摇铃，声荡十里秋光；胡麻晒场，香透千户暮烟。 冬则雪覆八荒，琼雕玉砌，风卷银沙，天地澄澈。马拉雪橇，犁开冰封河镜；滑雪飞人，刺破玉宇琼霄。满洲里灯海，映雪光成不夜之城；牙克石风刀，镂霜晶作万树梨花。

至若名原之胜，各藏其魄。 呼伦贝尔者，“牧草王国”，绿波浩渺，接天映日而生辉。莫尔格勒河，九回肠柔，尊“天下第一曲水”；额尔古纳泽，百鸟栖居，冠“亚洲湿地之魁”。黑山头晚照，熔金淬火，镀染天涯芳草；室韦乡晨炊，轻纱曼舞，牵来世外桃源。 辉腾锡勒者，“清凉之巅”，高山草甸，风车阵列接天穹。男儿三艺，弓开似月，箭逐流星；巾帼群舞，袖起虹飞，步踏星斗。篝火燃情，长调穿云邀仙饮；露沉包静，酣眠入梦枕草香。 敕勒川者，歌谣之原。《敕勒歌》千古绝唱，余音仍绕阴山之巅。非遗手传古韵，长风万里送旧篇。极目青城，绿浪奔涌无尽头；回眸青冢，琵琶声咽有胡弦。 乌兰布统者，画廊之原。白桦亭亭，立草原以成诗行；青史历历，记康乾秋狝之盛况。将军泡子水，曾映金戈铁马，今照游人笑颜；影视取景框，锁住流光片羽，刻下岁月纹章。

更有风物人情，醇厚如酒。 牧人迎客，礼奉哈达，银碗斟酒歌先劝；入包循古，左进右出，躬身接茶双手擎。马头琴呜咽，奏响天地之悲欢；呼麦声沉浑，吞吐洪荒之寂寥。安代舞旋，红巾飞扬似火燃；鄂尔多斯婚，诺言沉重如山海。 美食琳琅，蕴藏智慧：手把肉肥嫩，原汁本色；烤全羊酥香，敬献尊宾。乌日莫凝脂赛雪，胡乳达酸甜生津。奶茶熬日月，砖茶解油腻；烈酒醉山河，马奶洗风尘。

嗟乎！草原之魂，不在广袤，而在包容；不在荒远，而在坚韧。昔者苏武持节，雪啮毡毛而志不夺；天骄纵马，弓引雕翎而气吞寰宇。今有牧人子孙，守千载淳朴之真，纳时代浩荡之风。从驼铃摇碎星光，到高铁穿行绿海；从敖包祈愿长生，到世界共此欢宴。 今以昆仑为砚，黄河为墨，长风云翰，书此不朽之赋；愿借鲲鹏之翼，传此华章于四海，使天下知：此内蒙古草原，非惟人间之天堂，实为文明之灯塔，精神之原乡。

二、《草原赋》英译文

Ode to the Grassland

By Wu Zhanglian

The vast desert spreads like silk, and the dome-like sky hangs over the wilderness. The veins of the earth surge from Kunlun, transforming into a boundless plain; the light of heaven pours with rolling clouds, painting a thousand years of glory. The grassland of Inner Mongolia is not merely a creation of heaven and earth, but a homeland where all beings coexist. It connects the green foothills of the Greater Khingan Range in the east, holds the vast sands of the Qilian Mountains in the west, rests against the dragon-like spine of the Great Wall in the south, and reaches the distant sky near the North Star in the north. Spanning three temperature zones, it displays distinct landscapes of meadows, typical grasslands, and deserts; gathering the nectar of hundreds of rivers, it nurtures flocks of cattle and sheep, sturdy camels and horses, and fierce eagles and vultures. Through the yurts of the Xiongnu, the frost and moon of the Han and Tang dynasties, the iron cavalry of the Liao and Jin dynasties, and the grand songs of the Yuan and Qing dynasties, it has become a sacred land yearned for by the world, a pure land where all hearts unite.

The scenery of the four seasons each has its unique charm. In spring, the ice rivers crack and rumble, the frozen earth softens, and the grass, seen from afar, shimmers with light green mist. Herdsmen shake off their coats and drive calves back to old farmlands; wild geese fly north, carrying spring to mend old eaves. Wild flowers dot the land like stars, embroidering the green carpet; streams sing like lutes, splashing against white stones. In summer, the green waves reach the clouds, dispelling all heat. Horses gallop by day, and the Milky Way hangs over the wilderness at night. At the Nadam Festival, the hooves of racing horses thunder like thunder shaking mountains; wrestlers compete with strength that seems to split clouds and crack stones. Before the yurts, copper pots boil with the fragrance of milk; at the foot of Aobao Mountain, hada scarves glow in the moonlight. The Morigele River curves like a jade belt floating from heaven; the Hulunbuir Grassland is dotted with sheep like pearls falling from clouds. In autumn, the sea of grass turns golden, and populus euphratica burn like fire. The strong wind passes, and leaves dance gracefully. In Ejina Banner, ten thousand trees draped in gold resemble Van Gogh’s paintings; in Xilingol, a thousand horses return from grazing, cutting through the round, melting sunset. Buckwheat sways like bells, their sound echoing through ten miles of autumn light; flax drying grounds fill a thousand households with fragrance at dusk. In winter, snow covers the vast land, sculpted like jade; wind rolls silver sand, leaving heaven and earth clear and pure. Horse-drawn sleds plow through the frozen river like a mirror; skiers dash through the jade-like sky. The sea of lights in Manzhouli reflects snow into an ever-bright city; the wind in Yakeshi carves frost crystals into ten thousand pear blossoms.

As for the scenic grasslands, each holds its unique soul. Hulunbuir, the &#;Kingdom of Pastures,&#; boasts boundless green waves shining under the sun and sky. The Morigele River, winding gently like intestines, is honored as &#;the most tortuous river under heaven&#;; the Ergun Wetland, home to hundreds of birds, is crowned &#;the best wetland in Asia.&#; The sunset at Heishantou dyes the distant grasslands with molten gold; the morning cooking smoke in Shiwei Village, swirling like thin silk, leads to a paradise on earth. Huiteng Xile, the &#;Summit of Coolness,&#; features alpine meadows with wind turbines reaching the sky. Men showcase the &#;Three Manly Arts&#; – archery with bows curved like the moon, arrows chasing shooting stars; women dance in groups, their sleeves fluttering like rainbows, steps treading like stars. Bonfires burn with passion, and long songs pierce the clouds to invite immortals to drink; when dew falls and yurts are quiet, one sleeps soundly with the fragrance of grass in dreams. Chilechuan is the grassland of ballads. The eternal song &#;Ode to Chile&#; still echoes over the Yinshan Mountains. Intangible cultural heritage passes down ancient rhymes, carried by the long wind for ten thousand miles. Gazing at Hohhot, the green waves stretch endlessly; looking back at the Green Tomb, the sound of the pipa whispers with Hu melodies. Ulan Butong is the grassland of paintings. Straight birch trees stand like lines of poetry on the grassland; clear history records the grand autumn hunts of the Kangxi and Qianlong emperors. The water of General’s Lake once reflected armors and horses, now mirrors the smiles of tourists; film and television shooting frames capture fleeting moments, engraving the marks of time.

Moreover, the customs and human feelings are as mellow as wine. Herdsmen welcome guests with hada, offering wine in silver bowls while singing first; entering yurts, they follow tradition – left in, right out – and take tea with both hands, bowing respectfully. The matouqin (horse-head fiddle) sobs, playing the joys and sorrows of heaven and earth; khoomei (throat singing) rumbles, breathing in the loneliness of primeval times. The Andai Dance spins, red scarves fluttering like burning fire; the Ordos wedding carries promises as heavy as mountains and seas. A variety of delicacies embody wisdom: hand-held mutton is tender and original; roast whole lamb is crispy and fragrant, served to distinguished guests. Urmo (milk curd) is as white as snow; hurdaq (fermented milk curd) is sweet and sour, refreshing the mouth. Milk tea brews through days and months; brick tea relieves greasiness; strong wine intoxicates mountains and rivers; mare’s milk soothes travel fatigue.

Alas! The soul of the grassland lies not in its vastness, but in its inclusiveness; not in its remoteness, but in its tenacity. In the past, Su Wu held his festival (symbol of mission) and remained unyielding even as snow gnawed at his felt; Genghis Khan rode horses, drawing his bow to shoot eagles with ambition to conquer the world. Today, the descendants of herdsmen uphold the simplicity of a thousand years while embracing the tide of the times. From camel bells breaking the starry night to high-speed trains cutting through the green sea; from Aobao prayers for longevity to global celebrations shared by all. Now, with Kunlun as an inkstone, the Yellow River as ink, and the long wind as a brush, I write this eternal ode; I wish to borrow the wings of a roc to spread this masterpiece to the four seas, so that the world may know: this Inner Mongolian grassland is not only a paradise on earth, but also a beacon of civilization and a spiritual homeland.